Showing posts with label death. Show all posts
Showing posts with label death. Show all posts

Monday, June 24, 2024

The Murder Of Carlo Sands By The Cad Leslie Richmond

Being dead is not so bad – said no dead person ever!

Death is unpleasant to experience and its aftermath has a catastrophic impact on your social life. I should know – I have been dead for years, ever since my MURDER by THE NOTORIOUS CAD* Leslie Richmond.


Leslie knows what he did and he has never apologised. 


His murder weapon? A facebook quiz from the late 2000s.


We were in a duel to the death. The cad had offended my honour in some Facebook comment in a manner I’ve long forgotten. Such concerns fade away once you’ve passed over to the Other Side. 


As a Gentleman, I immediately demanded satisfaction. Challenging the cad to a duel to the death, I insisted he choose his weapon. Without hesitating, the cad chose aging, commenting that he’d “seen the state of my liver” and was quite confident.


It was a bold statement. My liver had survived horrors inflicted on it that would fell the Greatest Monsters from the Myths of All Ages. It was bound to out-live some beret-wearing bastard from Adelaide. 


It never got the chance. 


It was early 2009 when I took the Facebook quiz “When Will You Die?” Such quizzes were all the rage in Facebook’s early days; a more innocent time when “mass data harvesting” was not a widely understood concept.


I received the shocking answer: October 21, 2008. I had been dead for several months!


It actually made a lot of sense. My hangovers had been getting drastically worse.


You might wonder why I didn’t challenge the quiz’s result. But at the time, I was in the habit of repeating loudly every time I did such a quiz that “Facebook does not lie!” Such was my first response to its terrible findings.


It was only when Leslie gleefully popped up to declare victory in the duel that the true significance of the moment dawned on me. I had lost a duel to a cad in Adelaide.


Having declared my faith in the quiz result, I could hardly now admit I was wrong. As anyone could tell you, admitting you are wrong on social media is a fate distinctly worse than death. 


I had to accept defeat. I had been murdered by a cad.


Now some may wish to play the “devil’s advocate” and equivocate over the claim of murder.


Surely, I can hear these apologists declare, it was the Facebook quiz rather than Leslie Richmond who consigned me to the After Life. 


Leslie merely got lucky, this “theory” goes, skating through to victory as the Steven Bradbury of duellists.


BUT WHO DO YOU THINK CREATED THAT FACEBOOK QUIZ?


Oh he’s covered his tracks. You’ll find no smoking gun or clear cyber trail leading back to his blood-stained hands. But the explanation I somehow just happened to stumble onto the quiz that ended my life – and delivered the cad his greatest victory – is far too convenient.


I would go further and suggest that Leslie Richmond may not just be responsible for that quiz but for Facebook itself – a crime almost as terrible for humanity as murdering me!


I would not be surprised if Mark Zuckerburg turned out to really be Leslie Richmond in a latex mask, and that the cad secretly enrolled in Havard in the mid-2000s as part of a long game to entrap me. 


Provoking me with his relentless slights on my honour on the very site he developed for its ease of trading public insults, he knew it was just a matter of time before I would say NO MORE and insist on a duel to the death. 


And then he struck!


This is the only believable explanation for the series of events that led to my current status of deceased.


It is not easy being dead. The world is almost entirely set up to serve the living. There is very little advice available for navigating life once you've formally departed it – with the honourable exception of America’s Greatest Living Philosopher who once wisely sung “Never drive a car when you’re dead”.


Wise words, Tom Waits. I never do. Not even with the current state of Sydney’s trains.



'Never trust a man in blue trench coat, never drive a car when your dead...'


* A cad, for those born after 1830, is "a man who behaves dishonourably" -- a complete bounder, in other words.

Tuesday, May 11, 2021

Lucinda Williams' 1998 Austin City Limits is one of the truly great live shows that you can find on Youtube when drunk!

US singer-songwriter Lucinda Williams has revealed she had a stroke in November. The 68-year-old is recovering and although currently unable to play guitar is expected to make a full recovery.

That is good news, because Williams is not just a great songwriter, but a great human. She was expelled from high school in the late 60s for refusing to stand for the Pledge of Alliegence in opposition to the Vietnam War and has remained outspoken in song and beyond all her life (her most recent album is filled with fury about racism and misogyny and the state of her country).

By coincidence, the news of her stroke came just after I went on one of my periodic Lucinda Williams binges, specifically repeatedly watching her brilliant Austin City Limits show from 1998, just after the release of her career-defining album Car Wheels on a Gravel Road

The reason was a debate that flared once more on The Very Long Thread (VLT). This is a thread on my facebook wall whose only goal is to generate as many comments as possible. Having started in 2013, so far the VLT has more than 365k comments at an often meandering pace by arguing about such topics as "are song lyrics a form of poetry?".

Now, I argued no. Although obviously similar, the nature of the forms means different pressures and contraints on the writing. It is a semantic argument that can't be resolved because you can just keep shiftng the boundaries and definitions until you finally finally after eight fucking years reach the 500,000 comment milestone (we can only dream).

But inspired by talk about poetry and lyrics, I put on Lucinda Williams. The country/blues/folk/rock (I hate the term "Americana") icon being one of the more poetic and poetry-influenced songwriters that US has produced in recent generations.

The result was I conceded straight away. Williams' ACL show is just song after song of fucking poetry put to a raw mix of country/folk/blues/rock (yes I know "Americana" is less words) played by a tight-as-anything band. 

Song after song I found myself yelling "IT'S MORE FUCKING POETRY!" then commented to that effect on the VLT because, after all, we need the comments. God knows when we'll reach 500K and if we can even beat the rapidly escalating climate apocalypse

It is an incredible show of a great artist at her peak. It deserves more recognition as one of the great live shows that you can find while on a drunken YouTube music binge. Williams' performance features a range of songs that can loosely be divided into three categories: death songs, "fuck you, arsehole!" songs, and deeply felt longing for a lost love songs. 

Enjoy!


1. Pineola (0:19​)
I saw his mama, she was standin' there
His sister, she was there too
I saw them look at us standin' around the grave
And not a soul they knew

They say start as you intend to contnue, and Williams starts with a tough bluesey song about a friend committing suicide. This will not be the last song about the death of a friend nor suicide, not by a long shot!

The song is very well-summed up in this Time magazine piece in which it features on a list of "100 songs of enduring beauty, power and inventiveness". It deserves it's place.


2. Metal Firecracker (5:00​)
We'd put on ZZ Top
And turn 'em up real loud
I used to think you were strong
I used to think you were proud
I used to think nothing could go wrong
All I ask
Don't tell anybody the secrets...
Slightly cheerier in that it's a song remembering a lost love with fondness. But it's not that cheery, due to the whole lost love thing. An up-tempo country rock track whose lyrical quality reminds me of the more recent and much-lauded Jason Isbell (with whom she's performing with in July in her first post-stroke shows, and who would be the first to name her as an inspiration).  


3. Car Wheels on a Gravel Road (8:38​)
Sittin' in the kitchen, a house in Macon
Loretta's singing on the radio
Smell of coffee, eggs and bacon
Car wheels on a gravel road

Williams' signature song, or at least the glorious title track from her best album. A catchy honky tonk tune through which Williams evokes nostalgia with imagery of the minutia of daily life. It's key line comes right at the end: "A little bit of dirt, mixed with tears". This would be Lucinda Williams' best song if "Drunken Angels" didn't exist.


4. Right in Time (13:19​)
Not a day goes by I don't think about you
You left your mark on me it's permanent a tattoo
Pierce the skin and the blood runs through
Oh my baby...

This is definitely a cheerier song and that's because this folk-rocker is all about masturbation! More specifically, it's a vividly poetic and gleeful account of taking the time to pleasure yourself as you think of someone who.... well of some who "moves right in time with me". 

Anyway, I think we shoud move on, not ... ahaha... because I am in any way unfomcortable with an open embrace of sexuality and self-delivered pleasure or anything. God no! It's just... what's the next song?


5. Drunken Angel (17:58​)
Sun came up it was another day
And the sun went down
You were blown away
Why'd you let go of your guitar
Why'd you ever let it go that far...
Back on the familiar ground of death! This is a souring anthematic epic about her friend, little known Texas-based country singer Blaze Foley who was killed in tragic circumstances. Foley was shot trying to defend a friend from being robbed by his own son, with the jury aquiting the son of murdering Foley apparantly on the basis no one could understand what a white guy like Foley was doing in the home of his Black friend in a Black part of town in Austin, Texas.

The notoriously down-and-out Foley, who never got far career-wise due to a mix of bad luck and drunken self-sabotage, has since become cult figure with a documentary and film staring Ethan Hawke about his life. The fact John Prine and Merle Haggard recorded him is a sure sign Blaze Foley could write a song. And as this song shows, so can Lucinda Williams.


6. Greenville (21:21​)

Empty bottles and broken glass
Busted down doors and borrowed cash
Borrowed cash, oh the borrowed cash
Go back to Greenville, just go on back to Greenville
This is a superficially tender-sounding country ballad. Don't be decieved. It's the first of the "fuck you, arsehole" songs! And it is certainly not tender in its sentiments towards to bloke to whom she repeatedly insists "just go on back to Greenville". 

With an intesity that slowly builds through the song, she savages the sort of ego-centric, fucked up, selfish areshole you can imagine infesting the artistic circles around places like Austin, Texas through which Williams moved. The lines, "Looking for someone to save you, looking for someone to rave about you..." just nails the type. 

You know the type. They're on Twitter right now whinging about how woke cancel culture interferes with their God-given right to be a genius. Well, fuck you arsehole coz this song is genius.


7. Still I Long for Your Kiss (25:43​)

I know that I shouldn't but I want you so bad
I know it couldn't be but I want what we had
I know our love is gone
And I can't bring it back
Still I long for your kiss
A straight up tender country ballad! No death, no suicide, no murder and seemingly no arseholes! I mean it's still sad of course. It's about a desperate longing for someone you can no longer have. This is, after all, country music. But it's possibly the most convention love song on here and it's fucking great, the band really go to town with this one. 


8. Lake Charles (30:13​)

He was born in Nacogdoches
That's in East Texas
Not far from the border
But he liked to tell everybody
He was from Lake Charles
Oh my God this is another death song. It's about an ex-lover and I beg of you, for the love of God, do not listen to this song if you've been drinking whiskey. Or at least waterproof your house from the tears that will flow should you be so reckless.

This song is truly poetry put to music. A strong challenger to "Drunken Angels" and "Car Wheels" for "best Lucinda Williams song ever". Fuck it's a heart-breaker.


9. Changed the Locks (35:42​)

I changed the kind of clothes I wear so you can't find me anywhere
And you can't spot me in a crowd, and you can't call my name out loud
I changed the kind of clothes I wear
This is another "fuck you, arsehole" song, with the guitars unleashed. Williams is determined to get a toxic guy out of her life, but for a while I struggled to get the full signficance of all the lines. I think because it's take on complex personal gender politics from a female perspective it is just a little above the head of another dumb man.

Bascially, this song isn't just saying "fuck off" to a former lover, but acknowleging ongoing feelings of attraction. It took me while to fully get that this is because 1) people are complicated and therefore can still feel attraction to someone they no longer want anything to do with; and 2) this is something toxic arseholes try to cynically manipulate.

When Williams sings she changed her phone number so he can't call her up "and make me fall down to my knees" or change the car she drives so "you can't chase me up the street and you can't knock me off my feet", it is a statement of a refusal to have her complicated emotional life manipulated by a toxic arsehole.

Also, the song rocks.


10. Disgusted (39:31​)

And I go with my baby
What man like a woman with a sassy child
I won't have to ask him no questions
Man, because he knows the reason why

This is the only track in the show not written or co-written by Williams. By an old Lighting Hopkins associate Melvin Jackson, this straight up blues number is nonetheless still about saying "fuck you, aresehole". But it has a happy ending. The singer finds a man with lots of money and therefore no longer needs wake up early in the morning "coz i won't have nothin' in the world to do".


11. Jackson (42:45​)

Once I get to Lafayette
I'm not gonna mind one bit
Oh it's another tear-jerking tender country ballad. Like "Still I Long For Your Kiss", this is a relatively straight-forward tale of longing. It is, at the same time, absolutely pure and beautifully written poetry. 

Williams likes to incorporate a sense of place into her songs, and this is the third of these songs to be named after a place. This one goes further and names a different place across the US South in each verse. When you are onto a good thing, take it up a notch!


12. Sweet Old World (49:02​)
The breath from your own lips, the touch of fingertips
A sweet and tender kiss
The sound of a midnight train, wearing someone's ring
Someone calling your name
Somebody so warm cradled in your arms
Didn't you think you were worth anything
It's another death song! Specifically, another suicide song. An almost impossible mix of grief and beauty, this is a note to a loved one to ask them the hopelessly futile question: "How could you leave?"

Just don't listen to it if you've had a few. 


13. Passionate Kisses (54:12​)
Is it too much to ask
I want a comfortable bed that won't hurt my back
Food to fill me up
And warm clothes and all that stuff
Shouldn't I have this
Shouldn't I have this
Shouldn't I have all of this, and
Passionate kisses

This very catchy track is the only hit song Williams has written to date, with Mary Chapin Carpertner's 1993 version breaking into the top 5 of the US country charts.

It is a manifesto of Williams' "personal is political" brand of feminism. Williams has essentially produced her version of the famous poem "Bread and Roses" by socialist suffragette Helen Todd, which delcared: "Yes, it is Bread we fight for—but we fight for Roses, too." 

In "Passionate Kisses", Williams insists on her right to a fulfiling life and "passionate kisses too". It should not be a radical sentiment, and yet...


14. Something About What Happens When We Talk (56:54​)
If I had my way,
I'd be in your town.
I might not stay, but at least I would have been around

It's another country ballad full of longing. But like all Williams' songs it doesn't just repeat a cliched formula. It's filled with little pockets of unique depictions of a very specific, personal relationship. By the time the guitar solo hits, this song has captured an emotional state best described as: "I've been drinking and listening to sad songs like this again".


15. Joy (1:00:54​)
I don't want you anymore 'cause you took my joy

This is a straight-up all-out rocker of a "fuck you, arsehole" song. It's not complicated. Some areshole took her joy and she wants it back. This being a Lucinda Williams song, it also name-checks a bunch of locations across the US South. 


16. Cant Let Go (1:09:33​)
Says he's sorry then he pulls me out
I got a big chain around my neck
And I'm broken down like a train wreck
Well it's over I know it but I can't let go

The last song, with the band working themselves into a final frenzy as Williams delivers one her  "longing" songs with a dash of "fuck you, areshole" chucked into the mix too. If only the arsehole also died it could have summed the whole thing up. Still, a fitting end.

Friday, December 30, 2016

So 2016 is killing astronomers too

Vera Rubin discovers some stuff no one can actually see.

This year has involved a lot of deaths of a lot of people, which has clearly never happened before.

To be fair, we are talking some real giants, I mean we've lost Muhammad Ali, David Bowie, Leonard Cohen, Merle Haggard and probably even some others. It looks like the death toll of well-known-and-loved people from various entertainment fields will just keep growing until 12:01am, January 1, 2017 clicks over ... assuming this is in fact due to some sort of Witch's Curse and not just the natural attrition of a generation of post-WWII entertainers from the '60s, '70s and '80s passing on and becoming the repository for a collective grief over a social era being destroyed by neoliberalism while civlisation is threatened by twin horrors of climate change and the disturbing rise of the far right.

But more than just gay icon George Michael, bi--open-minded-and-questioning icon David Bowie and "all sexual preferences in the Known Universe" icon Prince who passed away. Vera Rubin, an insanely smart woman who revolutionised our entire understanding of the universe also left us. The astronomer, who discovered dark matter and died Christmas Day aged 88.

Sure 88 is not a bad age to go, but I am sure Rubin's death caused much grief for her family, friends and the POOR FUCKING JOURNALISTS tasked with WRITING ARTICLES, like AT CHRISTMAS, about DARK MATTER.

Some journalists got off easy, getting to write pieces about Carrie Fisher, filled with a variety of the sassy quotes she helpfully provided through her colourful life and with the opportunity for some cool "cinnamon bun" retro images. Or they got to write about George Michael, with the clear-cut excuse to play "Wake Me Up Before You Go-Go" unironically for the first time since the journo was in primary school, coz like it was "research"!

Others were tasked with explaining dark matter in short news pieces, forced to desperately try to think back to year 11 Physics and reassuring themselves they must know SOMETHING about this shit and thinking "OK let's start with matter... that is easy... matter is... SHIT what does matter mean, what does Wikipedia say? [furious typing] Right... so matter is 'everything'! Well that's easy! Everything is everywhere! And therefore dark matter is...

"What, he invisible part of everything??? WHAT THE FUCK! HOW CAN YOU BE THE INVISIBLE PART OF EVERYTHING??? Jesus... and this invisible shit no one can see or properly makes galaxies spin as fast as they do???? WHY THE FUCK COULD VERA RUBIN HAVE NOT DIED *NEXT* WEEK WHEN I'M ON FUCKING LEAVE!"

The answer seems to be basically dark matter, and for that matter dark energy and probably anything else the physics community deems"dark" (like there is a competing theory called "dark fluid" and something else called "dark flow" that no amount of re-reading its Wikipedia entry makes it make any more sense to me), exist to make mathematical equations work that wouldn't otherwise, at lest that is what I have gathered from a couple of SBS documentaries I was mostly paying attention for.

Still...  Vera Rubin seemed pretty cool.



'I'm not bragging or complaining, I'm just talking to myself man to man...' This has nothing to do astronomy, it is just I wrote an angry rant about Jacobin Magazine and Merle Haggard, which was the highlight of my year.

Wednesday, January 07, 2009

Finally! Four down... if the trend catches we could be free from parasitic scum come February

A couple of months ago, I reported, with a mixture of anger and melancholic despair, that my attempts to take advantage of the collapse of capitalism to encourage the mass suicide of the global ruling class had not been a success.

It seems the rich had been hiring therapists to cope with the realisation that their system was a total fucking disaster and their own insatiable greed — having wrecked havoc on the entire plant — had finally toppled them as well.

Surely it couldn't last. With the International Monetary Fund predicting a second Great Depression, surely no fucker headquack could be that good to talk the thieves and pirates who go by the name "Captains of Industry" out of the depressing realisation that, yes, it *is* actually *entirely* their fault.

As is global poverty and the impeding destruction of all life on Earth.

Well, I am pleased to report, finally some of the fucking mongrels are showing a little backbone and choosing to jump. In front of trains, the be precise.

Today, I heard the good news that German billionaire Adolf Merkel had jumped in front of a train.

How many lives of people unable to access life-saving medicines due to their exorbitant cost, thanks to the likes of pharmaceutical drug barons like the now-deceased Adolf Merkel, could that amount have saved?

I was happy, but cautious. As we all know, one beer does not make a decent binge drinking session. Would it catch?

I was ecstatic when, hours later, a second suicide was reported. Stephen Good. Body was found in his red jaguar. Article doesn't report on the colour of his absurdly priced luxury status-symbol before he put a gun to his temple and pulled the trigger.

Good was a major US real estate agent. Is there seriously a soul out there who dares argue the world is not a better place without the likes of him?

Good news indeed, it could well be catching.

A Sydney Morning Herald article puts the total tally since the beginning of the end for capitalism at four.

We have Kirk Stephenson, millionaire head of a British private equity house, who also leaped in front of a train.

And then there is "aristocratic French fund manager" Rene-Thierry Magon de la Villehuchet, who slashed his wrists. This is progress, as in the old days revolutionaries had to do the slashing when it came to French aristocrats.

His investment firm lost US$1.4 billion in the Bernard Madoff scam.

"What's the point of being rich, if you don't know what to do with it, coz you're too bleeding thick", as Jarvis Cocker once pointed out.

Now, four deahts is a start, but let's not get carried away. We all know that four beers ALSO does not make a binge drinking session, Kevin Rudd not withstanding. But the news is promising.

If we are lucky, come February, the entire lot of the parasitical scum might have eradicated themselves, leaving us to a new life of constructing a post-capitalist utopia and getting pissed a lot.

There is a long road ahead, but today's news is cause for celebration. I know I am drinking right now.

Oh yeah, and FUCK ISRAEL.





Jarvis Cocker reminds us of the need to stay firm — we have not won yet.